Sean Yendrys, mail@seanyendrys.com
“A School, A Park” independent summer program, Montreal CA (2016–2018)
Audience waiting outside before a lecture by 2018 tutors Jessica Gysel, Katja Mater and Sara Kaaman of Girls Like Us

Movement Research Performance Journal, bi-annual newspaper
Designed with Yotam Hadar (2017–ongoing)

MRPJ #51 waiting for pick-up at the Movement Research office in New York

Para-Platforms: On the Spatial Politics of Right-Wing Populism, Markus Miessen & Zoë Ritts (eds.)
135 × 200 mm, 204 pp, Published by Sternberg Press, 2018

Tanzkongress 2019—A Long Lasting Affair, backside of A5 die-cut flyer for public program

Tanzkongress 2019—A Long Lasting Affair, visual identity

Colour blocking signage for art gallery Parc Offsite in Montreal
Takashi Homma, Looking Through: Le Corbusier Windows. 192 pages, 300 × 220 mm.
Published by the Canadian Centre for Architecture, Koenig Books, Window Research Institute Japan

reboot: responsiveness A1 black offset poster, used as base-layer for all future event posters

Black silkscreen over-printed on base-layer to announce DEAD TIME (Maggie's Solo)

reboot: responsiveness A1 black offset poster, used as base-layer for all future event posters

Silkscreen over-print on base-layer to announce the weekend-long symposium Asynchronicity

“Co to jest dyskryminacja?,” on the front window of the Kunstverein für die Rheinlande und Westfalen in Düsseldorf
as part of the graphic identity for reboot: responsiveness, curated by Eva Birkenstock, Nikola Dietrich and Viktor Neumann.
Custom reboot: cuts of Arial, Times and Courier drawn by Moritz Appich

Water, Kinship, Belief: Toronto Biennial of Art 2019–2022, edited by Candice Hopkins, Katie Lawson, Tairone Bastien.
480 pages, 205 × 270 mm, Iris printing + CMYK. Designed with Santiago da Silva.
Movement Research Performance Journal #58/59, edited by Joshua Lubin-Levy, John Arthur Peetz, and Nicole Bradbury
cold-set web offset newspaper, 290 × 420 mm, 72 pages, designed together with Björn Giesecke
Movement Research Performance Journal #58/59, edited by Joshua Lubin-Levy, John Arthur Peetz, and Nicole Bradbury
cold-set web offset newspaper, 290 × 420 mm, 72 pages, designed together with Björn Giesecke
Movement Research Performance Journal #58/59, edited by Joshua Lubin-Levy, John Arthur Peetz, and Nicole Bradbury
cold-set web offset newspaper, 290 × 420 mm, 72 pages, designed together with Björn Giesecke
Announcement card for the upcoming lecture-to-book series “Slide Show,” organized and edited together with Alexandra Margetic
Published by the MA in Graphic Design at the Estonian Academy of Arts, 2024–2025
[top slide from Santiago da Silva, 24 April 2024 / bottom slide from Linda van Deursen, 18 September 2024]
Let's Not Get Used to This Place: Meg Stuart/Damaged Goods, designed with Björn Giesecke
165 × 235 mm, 528 pages, edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele, published 2024
Silver + CMY ink printing on black paper for Let's Not Get Used to This Place: Meg Stuart/Damaged Goods, designed with Björn Giesecke
165 × 235 mm, 528 pages, edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele, published 2024
Silver + CMY ink printing on black paper for Let's Not Get Used to This Place: Meg Stuart/Damaged Goods, designed with Björn Giesecke
165 × 235 mm, 528 pages, edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele, published 2024
Silver + CMY ink printing on black paper for Let's Not Get Used to This Place: Meg Stuart/Damaged Goods, designed with Björn Giesecke
165 × 235 mm, 528 pages, edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele, published 2024
Silver + CMY ink printing on black paper for Let's Not Get Used to This Place: Meg Stuart/Damaged Goods, designed with Björn Giesecke
165 × 235 mm, 528 pages, edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele, published 2024
Silver + CMY ink printing on black paper for Let's Not Get Used to This Place: Meg Stuart/Damaged Goods, designed with Björn Giesecke
165 × 235 mm, 528 pages, edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele, published 2024
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Sean Yendrys is an independent graphic designer from Canada, currently based between Berlin, Germany and Tallinn, Estonia.

He collaborates closely with artists, architects, curators, editors, publishers and institutions to produce books, exhibitions, identities and websites. This has included working with:

Canadian Centre for Architecture
Concordia University Press
Bard Center for Curatorial Studies
Damaged Goods/Meg Stuart
Parc Offsite/Galerie Eli Kerr
Harvard Graduate School of Design
Hopscotch Reading Room
Hauser & Wirth
Kölnischer Kunstverein
Kunstverein für die Rheinlande und Westfalen, Düsseldorf
Koenig Books
Moriah Evans
Movement Research Performance Journal
Romanian Pavillion at the Venice Bienniale of Art
Sternberg Press
Tanzkongress 2019—A Long Lasting Affair
Times Art Center Berlin
Toronto Biennial of Art
The Kitchen, NY
Verso Books
zero point Berlin

He has been Head of the MA Curriculum in Graphic Design at the Estonian Academy of Arts in Tallinn since it opened in Autumn 2020. Previously he started and organized the independent summer program “A School, A Park” (2016–2018) in Montreal, Canada.

Contact: mail@seanyendrys.com


Website development: Julia Novitch