Sean Yendrys

“A School, A Park” independent summer program, Montreal CA (2016–2018)
Audience waiting outside before a lecture by 2018 tutors Jessica Gysel, Katja Mater and Sara Kaaman of *Girls Like Us*

*Scaling Infrastructure* and *Infrastructural Monuments* [back-covers], two-book set with MIT Center for Advanced Urbanism, 2016
6.75 × 9.25 inches, 180 & 168 pages. Designed with Neil Donnelly.

*Scaling Infrastructure* and *Infrastructural Monuments* [front-covers], two-book set with MIT Center for Advanced Urbanism, 2016
6.75 × 9.25 inches, 180 & 168 pages. Designed with Neil Donnelly.

A0 large format xerox posters for *Aguas Altas*, hosted on Radio Espacio Estacion (radioee.net), 2017

*Piero Manzoni: Writings on Art*, published by Hauser & Wirth, 2019
Left-page printed in full-colour offset, right-page printed with letterpress

*Piero Manzoni: Writings on Art*, published by Hauser & Wirth, 2019
17 x 22.5 cm, 268 pages, mix of full-colour and letterpress printing throughout. Designed with Johannes Breyer

*Movement Research Performance Journal*, bi-annual newspaper
Designed with Yotam Hadar (2017–ongoing)

MRPJ #51 waiting for pick-up at the Movement Research office in New York

*Para-Platforms: On the Spatial Politics of Right-Wing Populism*, Markus Miessen & Zoë Ritts (eds.)
135 × 200 mm, 204 pp, Published by Sternberg Press, 2018

*Tanzkongress 2019—A Long Lasting Affair*, backside of A5 die-cut flyer for public program

Tanzkongress 2019—A Long Lasting Affair, visual identity

Colour blocking signage for art gallery Parc Offsite in Montreal

Takashi Homma, *Looking Through: Le Corbusier Windows*. 192 pages, 300 × 220 mm.
Published by the Canadian Centre for Architecture, Koenig Books, Window Research Institute Japan

*reboot: responsiveness* A1 black offset poster, used as base-layer for all future event posters

Silkscreen over-print on base-layer to announce the weekend-long symposium *Asynchronicity*

Black silkscreen over-printed on base-layer to announce DEAD TIME (Maggie's Solo)

*reboot: responsiveness*, institutional question on the windows of Kunstverein für die Rheinlande und Westfalen, Düsseldorf
Project conceived by Eva Birkenstock, Nikola Dietrich and Viktor Neumann

Building Arguments vol. 2: *Cornelia Hahn Oberlander on Pedagogical Playgrounds*, published by Concordia University Press and Canadian Centre for Architecture
110 × 175 mm, 120 pages, cover and interior printed black ink on yellow paper, 2023

Building Arguments vol. 1: *Arthur Erickson on Learning Systems*, published by Concordia University Press and Canadian Centre for Architecture
110 × 175 mm, 88 pages, cover and interior printed black ink on medium grey paper, 2021

*Water, Kinship, Belief: Toronto Biennial of Art 2019–2022*, edited by Candice Hopkins, Katie Lawson, Tairone Bastien.
480 pages, 205 × 270 mm, Iris printing + CMYK. Designed with Santiago da Silva.

Sean Yendrys is an independent graphic designer based in Berlin, Germany.

He collaborates closely with artists, architects, curators, editors, publishers and institutions to produce books, exhibitions, identities and websites. This has included working with:

Canadian Centre for Architecture
Concordia University Press
Bard Center for Curatorial Studies
Damaged Goods/Meg Stuart
Harvard Graduate School of Design
Hopscotch Reading Room
Hauser & Wirth
Kölnischer Kunstverein
Kunstverein für die Rheinlande und Westfalen, Düsseldorf
Koenig Books
Moriah Evans
Movement Research Performance Journal
Romanian Pavillion at the Venice Bienniale of Art
Sternberg Press
Tanzkongress 2019—A Long Lasting Affair
Times Art Center Berlin
Toronto Biennial of Art
The Kitchen, NY
Verso Books
zero point Berlin

He has been Head of the MA Curriculum in Graphic Design at the Estonian Academy of Arts in Tallinn since it opened in Autumn 2020. Previously he started and organized the independent summer program “A School, A Park” (2016–2018) in Montreal, Canada.

Contact:
mail@seanyendrys.com
Gneisenaustr. 16, 10961 Berlin

Website development: Julia Novitch